2014 Company Profiles
This season: Jacques in AS YOU LIKE IT, Brice in ARCADIA. Previously for SATTF: TWO GENTLEMEN OF VERONA, RICHARD III, THE CHERRY ORCHARD, KING LEAR, THE COMEDY OF ERRORS, RICHARD II, UNCLE VANYA, MUCH ADO ABOUT NOTHING, OTHELLO, LOVE'S LABOUR'S LOST, TITUS ANDRONICUS, THREE SISTERS, PERICLES. "Paul Currier’s sensitive performance emphasises a refinement of voice and courtesy that makes him a much more persuasive love-object for the women." Jeremy Kingston, THE TIMES on Uncle Vanya.
SATTF archive finds a new home at the University of Bristol
The Goddess Juno - Jonathan Nibbs, The Tempest (2010). Prop maker Geoff Sims & Photo Graham Burke
Shakespeare at the Tobacco Factory (SATTF) has donated a fascinating archive of material including props, prompt scripts and photos from every production from the past 13 years to the University of Bristol Theatre Collection, one of the world's largest theatre collections dedicated to British Theatre history.
The archive comprises dozens of files of material from productions staged by the company. The props donated include the Goddess Masks from, The Tempest (pictured above), Bottom's donkey mask and the changeling puppet from, A Midsummer Night's Dream (2010). Since its inception in 2000, SATTF has produced 25 Shakespeare plays as well as three by Chekhov, one by Molière and a Jacobean tragedy. The archive was moved into the Theatre Collection's premises on Park Row, Bristol on, Wednesday 30 January and will soon be made accessible to the public by appointment.
are delighted that the records, such as they are – prompt scripts, photographs,
designs and a number of props – of our ephemeral art are going to find a
permanent home at the University of Bristol Theatre Collection. It will cover nearly thirty productions from
our very first in February 2000 and will be added to year by year."
Andrew Hilton, Artistic Director of Shakespeare at the Tobacco Factory
"We are very honoured that this prestigious theatre company’s archive has
been donated to us. It will help bring
the long and illustrious story of Bristol’s theatrical heritage right up to
date and, once again, show that Bristol is at the forefront of producing high
quality theatre. The archive provides a
unique insight into the company’s work and will soon be made available to
anyone who wishes to consult it.”
Jo Elsworth, Director of the University of Bristol Theatre Collection